Frankenstein
Announced Jul 1, 2016





Summary
On 2 Public Collections
Community Photos
Reference Information (Wiki)
Reviews
Pros!
- Faithful full-color recreation of Boris Karloff’s iconic 1931 Frankenstein makeup
- Highly detailed sculpt capturing sunken eyes, heavy eyelids, wrinkles, scars, and veins
- Well-tailored cloth costume including black overshirt, undershirt, and detailed pants
- Includes two interchangeable heads (neutral and snarling expression)
- Comes with two pairs of hands (relaxed and clawing/grabbing)
- Metal chain shackles accessory with functional clasp
- Large circular display base featuring electric Tesla coil design with articulated support arm
- Over 32 points of articulation with ball-jointed neck, double-jointed knees, ab crunch, waist, and hip pivot
- Arm sleeves removable to swap forearms for alternate hands
- Translucent green flesh tone paint adds realistic skin effect
Cons!
- Loose head on ball joint can feel unstable or prone to wobble
- Limited ankle articulation—no hinge or pivot on boots
- Elbow joint placement is high and can be awkward when posing
- Shackles clasp is delicate and potentially fragile when opening/closing
- Display stand and articulated arm may be oversized relative to figure scale
- Scar paint on forehead is bright red and lacks shading depth compared to rest of face
Product Info
From the boxA PREVIEWS Exclusive! Perhaps the most iconic monster movie of all time, Frankenstein first terrified audiences in 1931. Portrayed by legendary actor Boris Karloff as a terrifying yet misunderstood and tormented creature, Universal’s Frankenstein monster has gripped moviegoer’s imaginations ever since. Meticulously developed to capture the terrifying look of the iconic creature and outfitted on a One:12 Collective body, the figure’s detailing is incredible; the final product captures the look and spirit of the character as he appeared in the legendary film. This PREVIEWS exclusive version is in full color, recreating the make-up scheme of Karloff as accurately as possible.
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